Spring
2006 | Fall 2005
| Spring 2005 | Summer
2005 | Fall 2004
February
16, Noon-1pm
336 Ingraham Hall
CANCELLED
James K II Powell,Visiting Assistant
Professor, Languages and Cultures of Asia, UW-Madison
"Audio-Visualizing
Buddhist Studies as a Teaching Methodology: Videography Selections
from the Buddhism and Mysticism Seminar Fall 2005."
Dr. Powell began creating educational
videos for the internet from 2001. Subsequently beginning 2004,
he began assigning these internet-based videographies for students.
He has seen a vast evolution since this time in the quality
of student productions as he has acquired increasing samples
to build from. From his BA studies in Buddhism at Northwestern
through his MA/BA in Theology at Cambridge and his MDiv at the
University of Chicago prior to his PhD from the UW Madison,
Dr. Powell's principal interest has been on-going research into
the best method of educating students in what for them are often
alien and strange concepts. Dr. Powell has found the obvious,
along with Howard Gardner and Harvard's Project Zero: humans
learn more effectively when intellectual data is accompanied
by other sense-faculty data, in this case, visual and aural
data from the student projects. As they say, 'a picture is worth
a thousand words'"
February
23, Noon-1pm
206 Ingraham Hall
VELCHERU N RAO, Professor of Languages
and Cultures of Asia
"When
was India Modern? Precolonial Modernities in Indian Literature"
Modernity
in India is a gift of the British. India had a glorious past,
a great classical period, with its dazzling poets, philosophers
and thinkers. But then things began to deteriorate, many would
say because of the Muslims -- boldly or cautiously -- depending
on context. The late medieval period was when things began to
deteriorate badly. With the advent of the British, their language,
literature and culture, Indian civilization began to open to
the West. Exposure to the West had given rise in India a new
life, a new vitality, a “Renaissance.”
In sharp contrast to this view, Narayana Rao presents several
examples of literary texts from the late fifteenth to the eighteenth
centuries, and suggest that modernity in Indian literature had
already been flourishing during this period and that this modernity
continues into the twentieth century as a distinct strand, even
as the colonial modernity which began in the late nineteenth
and early twentieth century dominates the field. In effect,
He argues that colonial modernity which had its beginning with
the British rule in India, is a different kind of modernity
and is not the only modernity known to Indian literature.
March
2, Noon-1pm
206 Ingraham Hall
William Glover,
University of Michigan, Assistant Professor of Architecture
and Urban Planning
"The Architectural Education of an Indian Engineer:
Ganga Ram Goes to England"
Architectural critics in British
India deplored the colonial government's minor architectural
works. Critics singled out buildings designed by engineers in
the colonial Public Works Department (PWD) with particular rancor.
Rudyard Kipling's famous quip that the standard PWD residential
design in India was “bungaloathsome,” takes its
place among a constellation of less-famous but equally-damning
comments that span from the last decades of the nineteenth century
well into the early decades of the twentieth. Given the circumstances,
any interest shown by colonial engineers in acquiring a basic
architectural education was both welcomed and supported by government
officials. Among the first Indian employees in the PWD to avail
of new educational opportunities was a young engineer from Punjab
named Ganga Ram, who requested permission to travel to England
in 1882 to study “practical engineering” and architectural
design. My talk will trace the story of Ganga Ram's trip to
England in the context of debates over what constituted architectural
expertise in both England and India at the time, and over how
that expertise could be most reliably secured. The provisional
and often contradictory ways those debates were resolved shed
important light on the practice of modern architecture in India
as it emerged in the early twentieth century.
March
9, Noon-1pm
206 Ingraham Hall
Malalai Joya, Afghan
Parliamentarian and Human Right Activist
"Women's
Role in Nation Building: An Afghan Experience"
Malalai Joya is a 25 year old
muslim woman elected from the province of Farah for the Afghan
Loya Jirga. She is the daughter of an Afghan who lost a leg
in the Afghan Jihad. She has no political affiliations with
any political parties but represents the most rudimentary class
-the barefooted, weakest, silent, poorest Afghans. She founded
an orphanage in Farah while she was a teenager. She has worked
for 4 years in Afghan refugee camps. She taught social sciences
for 2 years in Herat under the pretext of a religious school
without the Taliban permission. She stands for FREEDOM OF SPEECH,
DEMOCRACY, HUMAN RIGHTS, against WAR CRIMINALS, against those
who have misused the name of Islam and ruined the name of the
true Jihad, and against those who oppress women.
Learn more about Malalai Joya
here:
http://www.eurasianet.org/departments/civilsociety/articles/eav102805b.shtml
http://www.diplomatictraffic.com/opinions_archives.asp?ID=115
http://english.people.com.cn/200512/22/eng20051222_229882.html
March
23, Noon-1pm
206 Ingraham Hall
Clint Seely, University of Chicago, Associate Professor
of South Asian Languages and Civilizations
"Who Does Your Dirty Work? NOT Michael Madhusudan Datta's
Hanuman"
Two aspects of war seem universal.
The one side--the side who fabricates the narrative justifying
the war--makes an effort to demonize the opposition. Moreover,
even helpful allies found in the field may not altogether escape
a dehumanizing depiction in that same narrative. The Ramayana
is a classic case of this, with the enemy forces made into monsters
(raksasas) and the field-commissioned allies--affectionately,
at times, but without doubt condescendingly--made into animals
(monkeys and bears). Only the three northerners, Rama, Sita,
and Laksmana, are genuine members of the human race. Michael
Madhusudan Datta will have none of this racism in his The Slaying
of Meghanada (Meghanadavadha kavya) (1861). Furthermore, when
it comes to committing acts in violation of the ksatriya warrior's
code of conduct, Datta makes Laksmana do his own dirty work
and does not, as in other Ramayanas, relegate that bit of nasty
business to Hanuman.
Clinton Seely's current research
has focused on the emergence of modern (adhunik) Bangla literature
in the 19th century, particularly the works of Michael Madhusudan
Datta (1824-73). Datta's writings raise issues of what constitutes
authentic "South Asian" at a time when the very presence
of the colonial powers tended to impinge upon all aspects of
Bengali life.
March
30, Noon-1pm
206 Ingraham Hall
Francesca Orsini, Cambridge University, Lecturer in
Hindi, Faculty of Oriental Studies
Lecture co-sponsored by the University Lectures Committee and
Languages and Cultures of Asia
"Print and Pleasure: Commercial
Publishing and its Genres in 19th C. North India"
This paper is about the challenges
and strategies of Indian commercial publishers in Hindi and Urdu
in the 19th century, and the kinds of "texts of pleasure"
that managed to attract to the printed page a society that was
largely illiterate and used to experiencing entertainment in
visual and oral form, embodied in professional or amateur performers.
Dr Orsini's research covers multiple
traditions in the north Indian literary system, popular writing
in Hindi and Urdu; women and literature; Dalit writing; Hindi
and Urdu fiction. Her current research concerns the impact of
print and the genres of commercial publishing in Hindi and Urdu
in nineteenth-century north India. She is also currently editing
a book on love in South Asian traditions. Dr Orsini has recently
published The Hindi Public Sphere. Language and Literature in
the Age of Nationalism, Oxford University Press, 2002.
April
6, Noon-1pm
206 Ingraham Hall
James K II Powell, Visiting
Assistant Professor, Languages and Cultures of Asia
"Audio-Visualizing Buddhist
Studies as a Teaching Methodology: Videography Selections from
the Buddhism and Mysticism Seminar Fall 2005."
Dr. Powell began creating educational
videos for the internet in 2001. Subsequently beginning 2004,
he began assigning these internet-based videographies for students.
He has seen a vast evolution since this time in the quality
of student productions as he has acquired increasing samples
to build from. From his BA studies in Buddhism at Northwestern
through his MA/BA in Theology at Cambridge and his MDiv at the
University of Chicago prior to his PhD from the UW Madison,
Dr. Powell's principal interest has been on-going research into
the best method of educating students in what for them are often
alien and strange concepts.
Dr Powell has found the obvious,
along with Howard Gardner and Harvard's Project Zero: humans
learn more effectively when intellectual data is accompanied
by other sense-faculty data, in this case, visual and aural
data from the student projects. As they say, 'a picture is worth
a thousand words'.
April 13, Noon-1pm
206 Ingraham hall
Harinder Singh, Executive Director Sikh Research Institute (cosponsored by the Sikh Student Association and the multi-cultural student council)
"Understanding the Sikhs"
This talk is geared towards those who have little understanding of the Sikh faith. Harinder Singh is the executive director of the Sikh Research Institute, a community development organization based in San Antonio, TX. An interdisciplinary researcher and global orator, Singh's expertise is on the culture, politics, religion, language, and developmental issues related to the Sikhs, Panjab, and South Asia. Singh is active with Oxford Sikh Scholarship Foundation, National Conference for Community and Justice, and Nanakshahi.
April
20, Noon-1pm
206 Ingraham Hall
Robert Goldman, University
of California at Berkeley, Professor of South Asian Studies
"Rules of Engagement: War
Crimes, Riik~asa Rights and the Political and Military Strategies
of the Great Sanskrit Epics"
The ancient Sanskrit epic poems of love and war, the Ramayana
and the Mahabharata have been read, heard and studied for millennia
as works of history, poetry, theology, philosophy and dharmasastra.
All of these aspects and more are critical to our understanding
of these great literary monuments.
In general, however, the two
epics have been generally viewed in terms of their conspicuous
thematic similarities. Both poems are regarded as illustrative
of "the triumph of good over evil" exemplified by
the destruction in a great battle of a tyrannical demonic warrior-king
at the hands or thorough the counsel of an incarnation of the
supreme divinity Visnu-Narayana. In each story the conflict
between the two sides is precipitated by an assault upon the
epic's principal female character, while in each the chief protagonist
must undergo a long period of exile in the wilderness before
his ultimate triumph in the final battle and his reclamation
of his l.ong-deferred and rightful consecration as universal
monarch.
Nonetheless the military and political strategies employed to
attain the heroes' ends and even those ends themselves are strikingly
different in the two works. In his paper I will attempt to highlight
some of these differences with an eye towards furthering our
understanding of the poems, the spirit of the times in which
they were composed and their destinies in the popular and political
imaginary of India past and present.
Dr. Goldman's areas of scholarly interest include Sanskrit literature
and literary theory, Indian Epic Studies, and psychoanalytically
oriented cultural studies. He has published widely in these
areas, authoring several books and dozens of scholarly articles.
He is perhaps best known for his work as the Director, General
Editor, and a principal translator of a massive and fully annotated
translation of the critical edition of the Valmiki Ramayana.
His work has been recognized by several awards and fellowships
including election as a Fellow of the American Academy of Arts
and Sciences.
April
27, Noon-1pm
206 Ingraham Hall
Brian Hemphill, California
State University at Bakersfield, Associate Professor of Anthropology
"Population Interactions
across the Central Asian Borderlands and Indo-Aryan Identity"
The Great Silk Road has long
been known as a conduit for contacts between East and West.
Until recently, these interactions were believed to date no
earlier than the second century B.C. However, recent discoveries
in the Tarim Basin of Xinjiang (western China) suggest that
initial contact may have occurred during the first half of the
second millennium B.C. The site of Yanbulaq has been offered
as empirical evidence for direct physical contact between Eastern
and Western populations, due to architectural, agricultural,
and metallurgical practices like those from the West, ceramic
vessels like those from the East, and human remains identified
as encompassing both “Europoid” and “Mongoloid"
physical types. Eight cranial measurements from 30 Aeneolithic,
Bronze Age, Iron Age and modern samples, encompassing 1505 adults
from the Russian steppe, China, Central Asia, Iran, Tibet, Nepal
and the Indus Valley were compared to test whether those inhabitants
of Yanbulaq identified as “Europoid” and “Mongoloid”
exhibit closest phenetic affinities to Russian steppe and Chinese
samples, respectively.
Differences between samples were
compared with Mahalanobis generalized distance (d2), and patterns
of phenetic affinity were assessed with cluster analysis, multidimensional
scaling, and principal coordinates analysis. Results indicate
that, despite identification as “Europoid” and “Mongoloid,”
inhabitants of Yanbulaq exhibit closest affinities to one another.
No one recovered from Yanbulaq exhibits affinity to Russian
steppe samples. Rather, the people of Yanbulaq possess closest
affinities to other Bronze Age Tarim Basin dwellers, intermediate
affinities to residents of the Indus Valley, and only distant
affinities to Chinese and Tibetan samples.
May
4, Noon-1pm
206 Ingraham Hall
Dr. Robert Jenkins, Professor
of Political Science, Birkbeck College, University of London
"The Politics of Exposure: Democracy,
Transparency, and Anti-Corruption Activism"
Efforts to combat corruption provide a useful lens through which to examine changes in the nature of Indian democracy. Movements attempting to expose cases of corruption -as opposed to advocacy groups proposing policy measures to addres its causes- offer a revealing glimpse into the processes through which, over the past twenty years, civil society has been reconstituted and democratic righs redefined. this seminar explores these issues with the aid of case studies from several Indian states, while also assessing key constraints on anti-corruption activism, not least the extent to which corruption itself has obtained a degree of popular legitimacy.
Rob Jenkins is Professor or Political Science at Birkbeck Colelge, University of London, and (during 2005-06) a fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. his research has focused on indian politics an political economy - including work on the politics of liberalization. India's engagement with the WTO, and the politics of Rajasthan. he is the author of Democratic Politics Across India's States (Oxford, 2004), and co-author of Reinventing Accountability: making Democracy Work for Human Development (Macmillan/Palgrave, 2005). This lecture is sponsored by the University lectures Committee and co-sponsored by the Department of Political Science.